“Beyond the Shushan Mountain” – Zhang Daqian, Jiang Zhaohe, Chen Zizhuang, and Shilu’s four famous paintings and calligraphy exhibitions are a cultural event. They are of great significance for carrying forward the Bashu culture, inheriting China’s excellent traditional culture and satisfying the spiritual and cultural needs of the masses. Taking this exhibition of calligraphy and painting as an opportunity to play the role of cultural display, research platform and window, systematically collect and organize the works of famous artists of Bayu paintings, better display and study the art history and cultural history of Bayu, and reveal the art and culture of Bashu. The far-reaching influence and contribution of culture.
Zhang Daqian is the most legendary ink painting artist in the 20th century Chinese painting circle. Especially in the landscape paintings have made great achievements. After living abroad, painting and working together, heavy color, ink and ink integration, especially splashing and splashing, creating a new artistic style.
Jiang Zhaohe is a modern figure painter and a modern figure painter and art educator. On the basis of traditional Chinese painting, he blends the length of Western painting and creatively expands the skills of Chinese ink painting. His rigorous style and the profound inner world of the characters have reached a new height in the history of Chinese figure painting.
Chen Zizhuang’s art of painting is an innovation based on inheritance of tradition, and incorporates his own style and characteristics, and ultimately becomes a family. He studied Wu Changshuo’s pen and ink, and Qi Baishi’s true rate was simple, and he learned the true meaning of Huang Binhong. In the early works, there were many flowers and birds. In this period, the flower and bird paintings were written in a pen-like manner, often with a large stroke, and the heroes and heroes were eager to win, the composition was fantastic and the color was bright. The theme of the later works is the most mountains and rivers. In this period, the landscape paintings have become external and soft, with dotted lines and intertwined spirits. The composition is not strange, the level is rich, and the appearance of the mountain and trees paintings is as varied as the inside.
Shilu is good at characters, landscapes, flowers and birds. The early style of painting was biased towards realism, with a solid and rigorous pen, and more revolutionary themes; the late paintings were so strong and vigorous, often with Huashan and lotus as the title, and the penpower was arrogant. In the late period, he mainly created flowers and birds, and created a group of highly personalized poems, books, paintings and seals. It has a strong subjective expression. The pens and fierce lyric characters that are strongly promoted constitute the traditional painting and calligraphy. Change has become an artist who has changed from traditional to modern.
The Sichuan Museum was founded in 1941 and has a history of more than 70 years. There are more than 320,000 pieces of cultural relics in the museum, including more than 50,000 pieces of precious cultural relics. In 2009, the new museum of Sichuan Museum was completed. Covering an area of more than 88 acres, the new museum is located in the Huanhuaxi Historical and Cultural Scenic Area in Chengdu. It is the largest comprehensive museum in the Southwest and plays an important role in the national public museum.
The Sichuan Museum currently has 14 exhibition halls with a total area of 12,000 square meters, including 10 permanent exhibitions including calligraphy and painting, ceramics, bronzes, ethnic cultural relics, arts and crafts, Tibetan Buddhism, Wanfo Temple stone carvings, Zhang Daqian calligraphy and paintings, and Han Dynasty pottery art. 4 temporary exhibition halls for holding various temporary exhibitions. The new pavilion also has an academic lecture hall that can accommodate more than 200 people for various large-scale conferences and academic lectures.
The Sichuan Museum has more than 260,000 pieces of cultural relics in its collection, including more than 50,000 precious cultural relics. The Sichuan Museum has more than 30 full-time and part-time researchers. It has researched and published academic works such as the “Sichuan Museum’s “Gesar” Thangka Study”, “Sichuan Unearthed Buddhist Studies in the Southern Dynasties”, “Collection of Paintings and Calligraphy Collections”. In 2011, the “Sichuan Museum’s Rehabilitation Capacity Improvement” project was established by the State Administration of Cultural Heritage as one of the two pilot projects in the country. In October 2012, it was rated as a national first-class museum.
In 2009, the new museum of Sichuan Museum was completed in Chengdu Huanhuaxi Historical and Cultural Scenic Area. The new hall covers an area of more than 88 acres, with an investment of more than 300 million yuan, a total area of 12,000 square meters, the main building is 32026 square meters, the scale is four times the original museum, the number of exhibition halls is 14 and the exhibition hall area is about 12635 square meters, including There are 10 permanent exhibitions such as calligraphy and painting, ceramics, bronzes, ethnic relics, arts and crafts, Tibetan Buddhism, Wanfo Temple stone carvings, Zhang Daqian calligraphy and painting, Han Dynasty ceramic stone art, and 4 temporary exhibition halls for various temporary exhibitions. The new pavilion also has an academic lecture hall that can accommodate more than 200 people for various large-scale conferences and academic lectures.
The main building adopts the traditional Chinese architectural elements of “door, church, gallery” to form a spatial sequence. The main building organizes various functions around the “T” shaped atrium. The underground floor is the garage and equipment room, and the bottom floor is the cultural relics warehouse and repair room. The second floor is the exhibition area, which is directly accessed from the outdoor large platform. The exhibition is divided into three floors. The first floor is the Sichuan Han Dynasty ceramic stone art exhibition and the multi-function hall conference reception room; the second floor is the Bayu bronze exhibition hall, ceramic boutique exhibition hall, calligraphy and painting hall, Zhang Daqian works exhibition; the third floor is Tibetan Buddhist Relics Museum, Wanfo Temple Stone Carving Hall, Sichuan National Cultural Relics Exhibition, Arts and Crafts Museum, Centennial Sichuan Pavilion.
The west side of the main building is an office area with a training center, scientific research office and information center. The southeast side is connected to the main building with an empty commercial corridor, with shops and tea shops.