The National Museums Collection Centre, in Edinburgh, is home to millions of items not currently on display. It also houses state-of-the-art facilities for conservation, taxidermy and academic research.

The National Museum of Scotland in Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Scottish Museum (so renamed in 1904), with collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.

National Museum of Scotland aim to explain the significance of the millions of objects in our care to a wider audience. How we interpret our collections can increase public understanding of human history and the natural environment.

History
The history of the museum can be said to begin in 1780 with the foundation of the Society of Antiquaries of Scotland, which still continues, but whose collection of archaeological and other finds was transferred to the government in 1858 as the National Museum of Antiquities of Scotland, from 1891 sharing the same building as the Scottish National Portrait Gallery in Queen Street in the New Town, Edinburgh.

In 1861 construction in Chambers Street of the Industrial Museum of Scotland began, with Prince Albert laying the foundation stone. In 1866, renamed the Edinburgh Museum of Science and Art, the eastern end and the Grand Gallery were opened by Prince Alfred. In 1888 the building was finished and in 1904 the institution was renamed the Royal Scottish Museum.

The organizational merger of the National Museum of Antiquities of Scotland and the Royal Scottish Museum took place in 1985, but the two collections retained separate buildings until 1995 when the Queen Street building closed, to reopen later occupied solely by the Scottish National Portrait Gallery. In 1998 the new Museum of Scotland building opened, adjacent to the Royal Museum building, and connected to it. The masterplan to redevelop the Victorian building and further integrate the architecture and collections was launched in 2004, and in 2006 the two museums were formally merged as the National Museum of Scotland. The old Royal Museum building closed for redevelopment in 2008, before reopening in July 2011.

The Royal Scottish Museum displayed prank exhibits on April Fool’s Day on at least one occasion. In 1975, a fictitious bird called the Bare-fronted Hoodwink (known for its innate ability to fly away from observers before they could accurately identify it) was put on display. The exhibit included photos of blurry birds flying away. To make the exhibit more convincing, a mount of the bird was sewn together by a taxidermist from various scraps of real birds, including the head of a carrion crow, the body of a plover, and the feet of an unknown waterfowl. The bare front was composed of wax.

The National Museum incorporates the collections of the former National Museum of Antiquities of Scotland. As well as the national collections of Scottish archaeological finds and medieval objects, the museum contains artefacts from around the world, encompassing geology, archaeology, natural history, science, technology, art, and world cultures. The 16 new galleries reopened in 2011 include 8,000 objects, 80 per cent of which were not formerly on display. One of the more notable exhibits is the stuffed body of Dolly the sheep, the first successful cloning of a mammal from an adult cell. Other highlights include Ancient Egyptian exhibitions, one of Elton John’s extravagant suits, the Jean Muir Collection of costume and a large kinetic sculpture named the Millennium Clock. A Scottish invention that is a perennial favourite with school parties is the Scottish Maiden, an early form of guillotine.

Architecture
The two buildings retain distinctive characters: the Museum of Scotland is housed in a modern building opened in 1998, while the former Royal Museum building was begun in 1861 and partially opened in 1866, with a Victorian Venetian Renaissance facade and a grand central hall of cast iron construction that rises the full height of the building. This building underwent a major refurbishment and reopened on 29 July 2011 after a three-year, £47 million project to restore and extend the building led by Gareth Hoskins Architects along with the concurrent redesign of the exhibitions by Ralph Appelbaum Associates.

Royal Museum building
Construction was started in 1861 and proceeded in phases, with some sections opening before others had even begun construction. The original extent of the building was completed in 1888. It was designed by civil engineer Captain Francis Fowke of the Royal Engineers, who is also responsible for the Royal Albert Hall. The exterior, designed in a Venetian Renaissance style, contrasts sharply with the light-flooded main hall or Grand Gallery, inspired by The Crystal Palace.

Numerous extensions at the rear of the building, particularly in the 1930s, extended the museum greatly. 1998 saw the opening of the Museum of Scotland, which is linked internally to the Royal Museum building. The major redevelopment completed in 2011 by Gareth Hoskins Architects uses former storage areas to form a vaulted Entrance Hall of 1400 sq M at street level with visitor facilities. This involved lowering the floor level by 1.2 metres. Despite being a Class A listed building, it was possible to add lifts and escalators.

Museum of Scotland building
The building is made up of geometric, Corbusian forms, but also has numerous references to Scotland, such as brochs and castellated defensive architecture. It is clad in golden Moray sandstone, which one of its architects, Gordon Benson, has called “the oldest exhibit in the building”, a reference to Scottish geology. The building was a 1999 Stirling Prize nominee.

Exhibition halls

The galleries in the newer building present Scottish history in an essentially chronological arrangement, beginning at the lowest level with prehistory to the early medieval period, with later periods on the higher levels. The Victorian building, as reopened in 2011, contains four zones (each with numerous galleries), covering natural history, world cultures (including galleries on the South Pacific, East Asia, and Ancient Egypt), European art and design, and science & technology. The Grand Gallery contains a variety of large objects from the collections, with a display called the “Window on the World” rising through four storeys, or about 20 metres, containing over 800 objects reflecting the breadth of the collections. Beyond the Grand Gallery at ground level is the “Discoveries” gallery, with objects connected to “remarkable Scots… in the fields of invention, exploration and adventure”.

Explore the history of innovation in Scotland and across the world through interactive games and thought-provoking displays.

Related Post

Grand Gallery, Discoveries and Window on the World
With its soaring pillars and high windows, the light-filled atrium of the Grand Gallery is one of Scotland’s most beautiful spaces, and provides a spectacular start to your museum visit. Your journey from Scotland to the world begins here.

Art, Design and Fashion galleries
Discover a treasure trove of creativity, explore the influence of design on everyday life and see how contemporary makers continue to innovate.

Natural World galleries
Hundreds of fascinating animals are brought together in our Natural World galleries to illustrate the extraordinary variety of life on earth.

Science and Technology galleries
Explore the history of innovation in Scotland and across the world through interactive games and thought-provoking displays.

Scottish History and Archaeology galleries
Face to face with iconic historic artefacts, learn how Scottish innovation has helped shape the modern world and see how the lives of everyday Scots have changed through the centuries.

World Cultures galleries
In the World Cultures galleries you can encounter diverse peoples, cultures and objects, discovering how we differ and what we all share. The objects on display are drawn from some of museum’s oldest collections and demonstrate Scotland’s international links.

Collections
National Museum of Scotland for collections of national and international importance, preserving them, interpreting them and making them accessible to as many people as possible.

National Museum of Scotland work with museums and communities across Scotland and beyond, introducing our collections to a much wider audience than can physically visit our museums, through partnerships, research, touring exhibitions, community engagement, digital programmes and loans.

Events
Through major international exhibitions we bring cultural treasures from around the world to Scotland and help tell the significant stories within our own collections. Over 216,000 people took part in our packed event programme in 2012-2013. From our annual Airshow to events held in partnership with Edinburgh’s Festivals; from lectures, re-enactments and concerts to our award-winning after-hours Lates: our learning programme brings history, science and the arts to life.

Research
Our collections are a legacy which we look after on behalf of everyone in Scotland. Our wealth of objects represent everything from Scottish and classical archaeology to applied arts and design; from world cultures and social history to science, technology and the natural world.

The National Museums Collection Centre, in Edinburgh, is home to millions of items not currently on display. It also houses state-of-the-art facilities for conservation, taxidermy and academic research.

Through our research, we aim to explain the significance of the millions of objects in our care to a wider audience. How we interpret our collections can increase public understanding of human history and the natural environment.

Conservation
National Museum of Scotland preserve, interpret and make accessible for all, the past and present of Scotland, other nations and cultures, and the natural world. National Museums of Scotland inspiring people, connecting Scotland to the world and the world to Scotland.

National Museum of Scotland’s collections are a legacy which we look after on behalf of everyone in Scotland. Our wealth of objects represent everything from Scottish and classical archaeology to applied arts and design; from world cultures and social history to science, technology and the natural world.

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