The Tang Dynasty is the prosperous period in the history of Chinese bronze mirrors. Bronze mirrors have rich connotation, diverse shapes, exquisite decoration and exquisite workmanship. They can be regarded as the model in the history of bronze mirrors. Bronze mirror style in the Tang Dynasty, in addition to using the previous generation of round, square, but also to create a sunflower mirror, rhodamine mirror, Fang Ya mirror and other flower-shaped mirror; Mirror button mostly dominated by the traditional round, but also Shaped buttons, turtle buttons, flower-shaped buttons and other new forms; ornamentation colorful and creative, in addition to all kinds of rare birds and animals, exotic flowers, ancient myths and legends, but also appeared in the sea animals and grapes, playing polo Patterns and other characteristics reflect the blend of Chinese and Western culture decoration; decorative layout to break the limitations of internal and external areas, there have been cross-regional layout, and the use of the overall high relief and other performance techniques; casting techniques appeared on the gold, silver, gold and silver flat, snail and Gem mosaic and other special new technology.
According to historical records, Yangzhou in the Tang Dynasty was one of the founding centers in China. Bronze Yangzhou reputation throughout the country, often tribute to the court. “Lake car downtown trouble, Yangzhou bronze…” that is described in the Tang Dynasty Yangling Guangling County tribute to the grand occasion of bronze. In recent years, both the Yangzhou area and the Indonesian “Blackstone” shipwreck have found bronze mirrors with beautiful lines, flowing lines and unique features in the Tang Dynasty, confirming each other with historical documents.
Blossoming rhododendrons, ingenuity and elegance, show the Millennium of the Tang dynasty.
Film mirror, art collar Chiaki, v. History of the streamer years.
Jinghua Liuuang bronze mirror art exhibition, exhibited such as “Long live the Chiaki” mirror, the sea beast grape mirror, double title cochlear mirror, the moon palace mirror, gossip Zodiac mirror, etc., of which multi-faceted bronze mirror “made in Yangzhou.” This side of the mirror, lively shape, exquisite design, vivid decoration, such as diamond mirror sparkling, reflecting the fleeting, reflecting the quiet Zhiyuan, but the only one of the craftsmanship and openness inclusive, romantic style of the great country. Hall, a mirror of a rhyme, poetry and painting, there are flowers and birds, quietly listening, stop watch, will allow you to stay away from the hustle and bustle, through the time and space, experience the supremacy of Yangzhou mirror technology, Tang fashion aesthetic trend, China The beauty of traditional civilization.
Yangzhou is a general history of the city. The princes, who were seceded here during the Han dynasties, exploited the local superior geographical conditions to develop their economy, bringing Yangzhou the first great prosperity in history. In the Sui and Tang dynasties, the opening of the Grand Canal once again provided an opportunity for the development of Yangzhou. With the unprecedented prosperity of the Tang Dynasty, Yangzhou also became an important port of transportation for important materials such as grain, salt and iron, and an important port for transportation at home and abroad. Actually, Has become the country’s economic and cultural center, attracted many literati solicitors come for Yangzhou left a brilliant page. Ming and Qing Dynasties, the bud of capitalism Yangzhou economy has been rapid development, Kangxi and Qianlong repeatedly “patrolled”, but also to Yangzhou unprecedented prosperity. The past of Yangzhou is another sad history. The struggle of the ruling class has left the people of this region under the scourge of war and has become “a Chinese city” many times.
“Luxury Falls, see the real sun,” the cloud of history has long been dispersed, the Millennium Heritage speechless to tell the past, the prosperous and heroic. Yangzhou history, has accumulated profound historical and cultural heritage, but also left a large number of valuable historical evidence for her offspring. Yangzhou Museum relies on unique favorable conditions for sustainable development. From the Neolithic cultural relics to the metal wares, ceramic jade wares, celebrity calligraphy and painting, and all kinds of carved works of art since the Spring and Autumn Period and the Warring States Period, most modern masterpieces have been collected. In particular, the ancient engraving printing, Yangzhou still retains a large number of precious ancient plates and engraving printing traditional skills, has become a world cultural heritage.
The Yangzhou Museum is located on the west side of Mingyue Lake, Xingcheng District, Yangzhou with a total area of 36,216 square feet. Together with the Yangzhou Library and Yangzhou Concert Hall, the Yangzhou Art Center forms a unique architectural style that reflects the harmony between man and nature, the structure and the natural environment of Yangzhou The Museum was established in 1951 for more than 60 years. The staff made joint efforts and made outstanding achievements in the acquisition, preservation, research, exhibition and cultural exchanges of other institutes. As the art of ancient Chinese museums, the Museum of Yangzhou has a collection of 30,000 precious works of art, Yangzhou is the largest collection, research and leisure center, Yangzhou is also a youth patriotism education base, completed in October 2005, the new building has five permanent exhibition Guangling tide – the story of the ancient city of Yangzhou Eight Eccentric Artists Painting and Calligraphy Hall, Painting and Calligraphy Hall, National Treasure Hall, Ancient Art Carving Hall and Temporary Exhibition Hall In August 2003, the China National Printing Museum was established in the State Council to approve the blockade of 300,000 rare ancient books as its main collection with the goal of collecting and protecting it. It is in the research and dissemination of ancient printing culture The museum has two exhibition hall: China and India Museum, Yangzhou block printing museum
Yangzhou Shuangbo Pavilion positioned as Yangzhou Yangzhou Museum’s largest collection of cultural relics centers, academic centers for the arts, cultural and leisure centers for citizens, teenagers and cultural patriotism education base. Museum is to protect, collect, display cultural relics institutions, the use of cultural relics to convey to people all kinds of historical information, is not for profit for the purpose of the unit. Yangzhou Double Bo Museum has become a symbol of Yangzhou cultural construction, a showcase of Yangzhou traditional culture and modern civilization, one of the most important window.