A dome is an architectural element that resembles the hollow upper half of a sphere. The precise definition has been a matter of controversy. There are also a wide variety of forms and specialized terms to describe them. A dome can rest upon a rotunda or drum, and can be supported by columns or piers that transition to the dome through squinches or pendentives. A lantern may cover an oculus and may itself have another dome.
Domes have a long architectural lineage that extends back into prehistory and they have been constructed from mud, snow, stone, wood, brick, concrete, metal, glass, and plastic over the centuries. The symbolism associated with domes includes mortuary, celestial, and governmental traditions that have likewise developed over time.
Domes have been found from early Mesopotamia, which may explain the form’s spread. They are found in Persian, Hellenistic, Roman, and Chinese architecture in the Ancient world, as well as among a number of contemporary indigenous building traditions. Dome structures were popular in Byzantine and medieval Islamic architecture, and there are numerous examples from Western Europe in the Middle Ages. The Renaissance architectural style spread from Italy in the Early modern period. Advancements in mathematics, materials, and production techniques since that time resulted in new dome types. The domes of the modern world can be found over religious buildings, legislative chambers, sports stadiums, and a variety of functional structures.
Early history and simple domes
Cultures from pre-history to modern times constructed domed dwellings using local materials. Although it is not known when the first dome was created, sporadic examples of early domed structures have been discovered. The earliest discovered may be four small dwellings made of Mammoth tusks and bones. The first was found by a farmer in Mezhirich, Ukraine, in 1965 while he was digging in his cellar and archaeologists unearthed three more. They date from 19,280 – 11,700 BC.
In modern times, the creation of relatively simple dome-like structures has been documented among various indigenous peoples around the world. The wigwam was made by Native Americans using arched branches or poles covered with grass or hides. The Efé people of central Africa construct similar structures, using leaves as shingles. Another example is the igloo, a shelter built from blocks of compact snow and used by the Inuit people, among others. The Himba people of Namibia construct “desert igloos” of wattle and daub for use as temporary shelters at seasonal cattle camps, and as permanent homes by the poor. Extraordinarily thin domes of sun-baked clay 20 feet in diameter, 30 feet high, and nearly parabolic in curve, are known from Cameroon.
The historical development from structures like these to more sophisticated domes is not well documented. That the dome was known to early Mesopotamia may explain the existence of domes in both China and the West in the first millennium BC. Another explanation, however, is that the use of the dome shape in construction did not have a single point of origin and was common in virtually all cultures long before domes were constructed with enduring materials.
Persian architecture likely inherited an architectural tradition of dome-building dating back to the earliest Mesopotamian domes. Due to the scarcity of wood in many areas of the Iranian plateau, domes were an important part of vernacular architecture throughout Persian history. The Persian invention of the squinch, a series of concentric arches forming a half-cone over the corner of a room, enabled the transition from the walls of a square chamber to an octagonal base for a dome in a way reliable enough for large constructions and domes moved to the forefront of Persian architecture as a result. Pre-Islamic domes in Persia are commonly semi-elliptical, with pointed domes and those with conical outer shells being the majority of the domes in the Islamic periods.
The area of north-eastern Iran was, along with Egypt, one of two areas notable for early developments in Islamic domed mausoleums, which appear in the tenth century. The Samanid Mausoleum in Transoxiana dates to no later than 943 and is the first to have squinches create a regular octagon as a base for the dome, which then became the standard practice. Cylindrical or polygonal plan tower tombs with conical roofs over domes also exist beginning in the 11th century.
The Seljuq Turks built tower tombs, called “Turkish Triangles”, as well as cube mausoleums covered with a variety of dome forms. Seljuk domes included conical, semi-circular, and pointed shapes in one or two shells. Shallow semi-circular domes are mainly found from the Seljuk era. The double-shell domes were either discontinuous or continuous. The domed enclosure of the Jameh Mosque of Isfahan, built in 1086-7 by Nizam al-Mulk, was the largest masonry dome in the Islamic world at that time, had eight ribs, and introduced a new form of corner squinch with two quarter domes supporting a short barrel vault. In 1088 Tāj-al-Molk, a rival of Nizam al-Mulk, built another dome at the opposite end of the same mosque with interlacing ribs forming five-pointed stars and pentagons. This is considered the landmark Seljuk dome, and may have inspired subsequent patterning and the domes of the Il-Khanate period. The use of tile and of plain or painted plaster to decorate dome interiors, rather than brick, increased under the Seljuks.
Beginning in the Ilkhanate, Persian domes achieved their final configuration of structural supports, zone of transition, drum, and shells, and subsequent evolution was restricted to variations in form and shell geometry. Characteristic of these domes are the use of high drums and several types of discontinuous double-shells, and the development of triple-shells and internal stiffeners occurred at this time. The construction of tomb towers decreased. The 7.5 meter wide double dome of Soltan Bakht Agha Mausoleum (1351–1352) is the earliest known example in which the two shells of the dome have significantly different profiles, which spread rapidly throughout the region. The development of taller drums also continued into the Timurid period. The large, bulbous, fluted domes on tall drums that are characteristic of 15th century Timurid architecture were the culmination of the Central Asian and Iranian tradition of tall domes with glazed tile coverings in blue and other colors.
Very little has survived of ancient Chinese architecture, due to the extensive use of timber as a building material. Brick and stone vaults used in tomb construction have survived, and the corbeled dome was used, rarely, in tombs and temples. The earliest true domes found in Chinese tombs were shallow cloister vaults, called simian jieding, derived from the Han use of barrel vaulting. Unlike the cloister vaults of western Europe, the corners are rounded off as they rise.
A model of a tomb found with a shallow true dome from the late Han Dynasty (206 BC – 220 AD) can be seen at the Guangzhou Museum (Canton). Another, the Lei Cheng Uk Han Tomb, found in Hong Kong in 1955, has a design common among Eastern Han Dynasty (25 AD – 220 AD) tombs in South China: a barrel vaulted entrance leading to a domed front hall with barrel vaulted chambers branching from it in a cross shape. It is the only such tomb that has been found in Hong Kong and is exhibited as part of the Hong Kong Museum of History.
Roman and Byzantine domes
Roman domes are found in baths, villas, palaces, and tombs. Oculi are common features. They are customarily hemispherical in shape and partially or totally concealed on the exterior. To buttress the horizontal thrusts of a large hemispherical masonry dome, the supporting walls were built up beyond the base to at least the haunches of the dome, and the dome was then also sometimes covered with a conical or polygonal roof.
Domes reached monumental size in the Roman Imperial period. Roman baths played a leading role in the development of domed construction in general, and monumental domes in particular. Modest domes in baths dating from the 2nd and 1st centuries BC are seen in Pompeii, in the cold rooms of the Terme Stabiane and the Terme del Foro. However, the extensive use of domes did not occur before the 1st century AD. The growth of domed construction increases under Emperor Nero and the Flavians in the 1st century AD, and during the 2nd century. Centrally-planned halls become increasingly important parts of palace and palace villa layouts beginning in the 1st century, serving as state banqueting halls, audience rooms, or throne rooms. The Pantheon, a temple in Rome completed by Emperor Hadrian as part of the Baths of Agrippa, is the most famous, best preserved, and largest Roman dome. Segmented domes, made of radially concave wedges or of alternating concave and flat wedges, appear under Hadrian in the 2nd century and most preserved examples of this style date from this period.
In the 3rd century, Imperial mausoleums began to be built as domed rotundas, rather than as tumulus structures or other types, following similar monuments by private citizens. The technique of building lightweight domes with interlocking hollow ceramic tubes further developed in North Africa and Italy in the late third and early fourth centuries. In the 4th century, Roman domes proliferated due to changes in the way domes were constructed, including advances in centering techniques and the use of brick ribbing. The material of choice in construction gradually transitioned during the 4th and 5th centuries from stone or concrete to lighter brick in thin shells. Baptisteries began to be built in the manner of domed mausoleums during the 4th century in Italy. The octagonal Lateran baptistery or the baptistery of the Holy Sepulchre may have been the first, and the style spread during the 5th century. By the 5th century, structures with small-scale domed cross plans existed across the Christian world.
With the end of the Western Roman Empire, domes became a signature feature of the church architecture of the surviving Eastern Roman — or “Byzantine” — Empire. 6th-century church building by the Emperor Justinian used the domed cross unit on a monumental scale, and his architects made the domed brick-vaulted central plan standard throughout the Roman east. This divergence with the Roman west from the second third of the 6th century may be considered the beginning of a “Byzantine” architecture. Justinian’s Hagia Sophia was an original and innovative design with no known precedents in the way it covers a basilica plan with dome and semi-domes. Periodic earthquakes in the region have caused three partial collapses of the dome and necessitated repairs.
“Cross-domed units”, a more secure structural system created by bracing a dome on all four sides with broad arches, became a standard element on a smaller scale in later Byzantine church architecture. The Cross-in-square plan, with a single dome at the crossing or five domes in a quincunx pattern, became widely popular in the Middle Byzantine period (c. 843–1204). It is the most common church plan from the tenth century until the fall of Constantinople in 1453. Resting domes on circular or polygonal drums pierced with windows eventually became the standard style, with regional characteristics.
Arabic and Western European domes
The Syria and Palestine area has a long tradition of domical architecture, including wooden domes in shapes described as “conoid”, or similar to pine cones. When the Arab Muslim forces conquered the region, they employed local craftsmen for their buildings and, by the end of the 7th century, the dome had begun to become an architectural symbol of Islam. In addition to religious shrines, such as the Dome of the Rock, domes were used over the audience and throne halls of Umayyad palaces, and as part of porches, pavilions, fountains, towers and the calderia of baths. Blending the architectural features of both Byzantine and Persian architecture, the domes used both pendentives and squinches and were made in a variety of shapes and materials. Although architecture in the region would decline following the movement of the capital to Iraq under the Abbasids in 750, mosques built after a revival in the late 11th century usually followed the Umayyad model. Early versions of bulbous domes can be seen in mosaic illustrations in Syria dating to the Umayyad period. They were used to cover large buildings in Syria after the eleventh century.
Italian church architecture from the late sixth century to the end of the eighth century was influenced less by the trends of Constantinople than by a variety of Byzantine provincial plans. With the crowning of Charlemagne as a new Roman Emperor, Byzantine influences were largely replaced in a revival of earlier Western building traditions. Occasional exceptions include examples of early quincunx churches at Milan and near Cassino. Another is the Palatine Chapel. Its domed octagon design was influenced by Byzantine models. It was the largest dome north of the Alps at that time. Venice, Southern Italy and Sicily served as outposts of Middle Byzantine architectural influence in Italy.
The Great Mosque of Córdoba contains the first known examples of the crossed-arch dome type. The use of corner squinches to support domes was widespread in Islamic architecture by the 10th and 11th centuries. After the ninth century, mosques in North Africa often have a small decorative dome over the mihrab. Additional domes are sometimes used at the corners of the mihrab wall, at the entrance bay, or on the square tower minarets. Egypt, along with north-eastern Iran, was one of two areas notable for early developments in Islamic mausoleums, beginning in the 10th century. Fatimid mausoleums were mostly simple square buildings covered by a dome. Domes were smooth or ribbed and had a characteristic Fatimid “keel” shape profile.
Domes in Romanesque architecture are generally found within crossing towers at the intersection of a church’s nave and transept, which conceal the domes externally. They are typically octagonal in plan and use corner squinches to translate a square bay into a suitable octagonal base. They appear “in connection with basilicas almost throughout Europe” between 1050 and 1100. The Crusades, beginning in 1095, also appear to have influenced domed architecture in Western Europe, particularly in the areas around the Mediterranean Sea. The Knights Templar, headquartered at the site, built a series of centrally planned churches throughout Europe modeled on the Church of the Holy Sepulchre, with the Dome of the Rock also an influence. In southwest France, there are over 250 domed Romanesque churches in the Périgord region alone. The use of pendentives to support domes in the Aquitaine region, rather than the squinches more typical of western medieval architecture, strongly implies a Byzantine influence. Gothic domes are uncommon due to the use of rib vaults over naves, and with church crossings usually focused instead by a tall steeple, but there are examples of small octagonal crossing domes in cathedrals as the style developed from the Romanesque.
Star-shaped domes found at the Moorish palace of the Alhambra in Granada, Spain, the Hall of the Abencerrajes (c. 1333–91) and the Hall of the two Sisters (c. 1333–54), are extraordinarily developed examples of muqarnas domes. In the first half of the fourteenth century, stone blocks replaced bricks as the primary building material in the dome construction of Mamluk Egypt and, over the course of 250 years, around 400 domes were built in Cairo to cover the tombs of Mamluk sultans and emirs. Dome profiles were varied, with “keel-shaped”, bulbous, ogee, stilted domes, and others being used. On the drum, angles were chamfered, or sometimes stepped, externally and triple windows were used in a tri-lobed arrangement on the faces. Bulbous cupolas on minarets were used in Egypt beginning around 1330, spreading to Syria in the following century. In the fifteenth century, pilgrimages to and flourishing trade relations with the Near East exposed the Low Countries of northwest Europe to the use of bulbous domes in the architecture of the Orient and such domes apparently became associated with the city of Jerusalem. Multi-story spires with truncated bulbous cupolas supporting smaller cupolas or crowns became popular in the sixteenth century.
The multidomed church is a typical form of Russian church architecture that distinguishes Russia from other Orthodox nations and Christian denominations. Indeed, the earliest Russian churches, built just after the Christianization of Kievan Rus’, were multi-domed, which has led some historians to speculate about how Russian pre-Christian pagan temples might have looked. Examples of these early churches are the 13-domed wooden Saint Sophia Cathedral in Novgorod (989) and the 25-domed stone Desyatinnaya Church in Kiev (989–996). The number of domes typically has a symbolical meaning in Russian architecture, for example 13 domes symbolize Christ with 12 Apostles, while 25 domes means the same with an additional 12 Prophets of the Old Testament. The multiple domes of Russian churches were often comparatively smaller than Byzantine domes.
The earliest stone churches in Russia featured Byzantine style domes, however by the Early Modern era the onion dome had become the predominant form in traditional Russian architecture. The onion dome is a dome whose shape resembles an onion, after which they are named. Such domes are often larger in diameter than the drums they sit on, and their height usually exceeds their width. The whole bulbous structure tapers smoothly to a point. Though the earliest preserved Russian domes of such type date from the 16th century, illustrations from older chronicles indicate they have existed since the late 13th century. Like tented roofs—which were combined with, and sometimes replaced domes in Russian architecture since the 16th century—onion domes initially were used only in wooden churches. Builders introduced them into stone architecture much later, and continued to make their carcasses of either of wood or metal on top of masonry drums.
Russian domes are often gilded or brightly painted. A dangerous technique of chemical gilding using mercury had been applied on some occasions until the mid-19th century, most notably in the giant dome of Saint Isaac’s Cathedral. The more modern and safe method of gold electroplating was applied for the first time in gilding the domes of the Cathedral of Christ the Saviour in Moscow, the tallest Eastern Orthodox church in the world.
The rise of the Ottoman Empire and its spread in Asia Minor and the Balkans coincided with the decline of the Seljuk Turks and the Byzantine Empire. Early Ottoman buildings, for almost two centuries after 1300, were characterized by a blending of Ottoman culture and indigenous architecture, and the pendentive dome was used throughout the empire. The Byzantine dome form was adopted and further developed. Ottoman architecture made exclusive use of the semi-spherical dome for vaulting over even very small spaces, influenced by the earlier traditions of both Byzantine Anatolia and Central Asia. The smaller the structure, the simpler the plan, but mosques of medium size were also covered by single domes. The earliest Ottoman mosques were single oblong rooms with either simple tiled pitched roofs of wood or a wooden interior dome. Most of these wooden domes have been lost to fires and replaced by flat ceilings. The earliest masonry domes covered square single room mosques, the archetype of Ottoman architecture. Examples include the Mosque of Orhan Gazi in Gebze and Karagöz Bey Mosque in Mostar. This domed-square unit is the defining element of the three basic Ottoman mosque plans: the single unit mosque, multi-unit mosque, and eyvan (or “iwan”) mosque.
The multi-unit mosque uses several domed-squares of similar size along the length of a mosque, or across its width, or both, with the central dome sometimes larger than the others. A style common in the Bursa period, and known as the “Bursa type”, is like a duplication of the single-domed square, with one long space divided by an arch into two square bays that are each covered by a dome. A variation of this type has the room covered by one dome and one semi-dome, with additional side chambers. A multi-domed style derived from Seljuk architecture is that of the Ulu Camii, or Great Mosque, which consists of a number of domes of the same size supported by pillars.
The eyvan mosque type (the eyvan being derived from Seljuk architecture) uses domed-square units in a variety of sizes, heights, and details, with only the possible pair of side units being similar sizes.
Early experiments with large domes include the domed square mosques of Çine and Mudurnu under Bayezid I, and the later domed “zawiya-mosques” at Bursa. The Üç Şerefeli Mosque at Edirne developed the idea of the central dome being a larger version of the domed modules used throughout the rest of the structure to generate open space. This idea became important to the Ottoman style as it developed.
The Beyazidiye Mosque (1501–1506) in Istanbul begins the Classical period in Ottoman architecture, in which the great Imperial Mosques, with variations, resemble the former Byzantine basilica of Hagia Sophia in having a large central dome with semi-domes of the same span to the east and west. Hagia Sophia’s central dome arrangement is faithfully reproduced in three Ottoman mosques in Istanbul: the Beyazidiye Mosque, the Kılıç Ali Pasha Mosque, and the Süleymaniye Mosque. Three other Imperial mosques in Istanbul also add semi-domes to the north and south, doing away with the basilica plan: Şehzade Camii, Sultan Ahmed I Camii, and Yeni Cami. The peak of this classical period, which lasted into the 17th century, came with the architecture of Mimar Sinan. In addition to large Imperial mosques, he produced hundreds of other monuments, including medium-sized mosques such as the Mihrimah, Sokollu, and Rüstem Pasha Mosque and the tomb of Suleiman the Magnificent. Süleymaniye Mosque, built in Constantinople (modern Istanbul) from 1550 to 1557, has a main dome 53 meters high with a diameter of 26.5 meters. At the time it was built, the dome was the highest in the Ottoman Empire when measured from sea level, but lower from the floor of the building and smaller in diameter than that of the nearby Hagia Sophia.
Italian Renaissance domes
Filippo Brunelleschi’s octagonal brick domical vault over Florence Cathedral was built between 1420 and 1436 and the lantern surmounting the dome was completed in 1467. The dome is 42 meters wide and made of two shells. The dome is not itself Renaissance in style, although the lantern is closer. A combination of dome, drum, pendentives, and barrel vaults developed as the characteristic structural forms of large Renaissance churches following a period of innovation in the later fifteenth century. Florence was the first Italian city to develop the new style, followed by Rome and then Venice. Brunelleschi’s domes at San Lorenzo and the Pazzi Chapel established them as a key element of Renaissance architecture. His plan for the dome of the Pazzi Chapel in Florence’s Basilica of Santa Croce (1430–52) illustrates the Renaissance enthusiasm for geometry and for the circle as geometry’s supreme form. This emphasis on geometric essentials would be very influential.
De Re Aedificatoria, written by Leon Battista Alberti around 1452, recommends vaults with coffering for churches, as in the Pantheon, and the first design for a dome at St. Peter’s Basilica in Rome is usually attributed to him, although the recorded architect is Bernardo Rossellino. This would culminate in Bramante’s 1505–06 projects for a wholly new St. Peter’s Basilica, marking the beginning of the displacement of the Gothic ribbed vault with the combination of dome and barrel vault, which proceeded throughout the sixteenth century. Bramante’s initial design was for a Greek cross plan with a large central hemispherical dome and four smaller domes around it in a quincunx pattern. Work began in 1506 and continued under a succession of builders over the next 120 years. The dome was completed by Giacomo della Porta and Domenico Fontana. The publication of Sebastiano Serlio’s treatise, one of the most popular architectural treatises ever published, was responsible for the spread of the oval in late Renaissance and Baroque architecture throughout Italy, Spain, France, and central Europe.
South Asian domes
Islamic rule over northern and central India brought with it the use of domes constructed with stone, brick and mortar, and iron dowels and cramps. Centering was made from timber and bamboo. The use of iron cramps to join together adjacent stones was known in pre-Islamic India, and was used at the base of domes for hoop reinforcement. The synthesis of styles created by this introduction of new forms to the Hindu tradition of trabeate construction created a distinctive architecture. Domes in pre-Mughal India have a standard squat circular shape with a lotus design and bulbous finial at the top, derived from Hindu architecture. Because the Hindu architectural tradition did not include arches, flat corbels were used to transition from the corners of the room to the dome, rather than squinches. In contrast to Persian and Ottoman domes, the domes of Indian tombs tend to be more bulbous.
The earliest examples include the half-domes of the late 13th century tomb of Balban and the small dome of the tomb of Khan Shahid, which were made of roughly cut material and would have needed covering surface finishes. Under the Lodi dynasty there was a large proliferation of tomb building, with octagonal plans reserved for royalty and square plans used for others of high rank, and the first double dome was introduced to India in this period. The first major Mughal building is the domed tomb of Humayun, built between 1562 and 1571 by a Persian architect. The central double dome covers an octagonal central chamber about 15 meters wide and is accompanied by small domed chattri made of brick and faced with stone. Chatris, the domed kiosks on pillars characteristic of Mughal roofs, were adopted from their Hindu use as cenotaphs. The fusion of Persian and Indian architecture can be seen in the dome shape of the Taj Mahal: the bulbous shape derives from Persian Timurid domes, and the finial with lotus leaf base is derived from Hindu temples. The Gol Gumbaz, or Round Dome, is one of the largest masonry domes in the world. It has an internal diameter of 41.15 meters and a height of 54.25 meters. The dome was the most technically advanced built in the Deccan. The last major Islamic tomb built in India was the tomb of Safdar Jang (1753–54). The central dome is reportedly triple-shelled, with two relatively flat inner brick domes and an outer bulbous marble dome, although it may actually be that the marble and second brick domes are joined everywhere but under the lotus leaf finial at the top.
Early modern period domes
In the early sixteenth century, the lantern of the Italian dome spread to Germany, gradually adopting the bulbous cupola from the Netherlands. Russian architecture strongly influenced the many bulbous domes of the wooden churches of Bohemia and Silesia and, in Bavaria, bulbous domes less resemble Dutch models than Russian ones. Domes like these gained in popularity in central and southern Germany and in Austria in the seventeenth and eighteenth centuries, particularly in the Baroque style, and influenced many bulbous cupolas in Poland and Eastern Europe in the Baroque period. However, many bulbous domes in eastern Europe were replaced over time in the larger cities during the second half of the eighteenth century in favor of hemispherical or stilted cupolas in the French or Italian styles.
The construction of domes in the sixteenth and seventeenth centuries relied primarily on empirical techniques and oral traditions rather than the architectural treatises of the times, which avoided practical details. This was adequate for domes up to medium size, with diameters in the range of 12 to 20 meters. Materials were considered homogeneous and rigid, with compression taken into account and elasticity ignored. The weight of materials and the size of the dome were the key references. Lateral tensions in a dome were counteracted with horizontal rings of iron, stone, or wood incorporated into the structure.
In the eighteenth century, the study of dome structures changed radically, with domes being considered as a composition of smaller elements, each subject to mathematical and mechanical laws and easier to analyse individually, rather than being considered as whole units unto themselves. Although never very popular in domestic settings, domes were used in a number of 18th century homes built in the Neo-Classical style. In the United States, most public buildings in the late 18th century were only distinguishable from private residences because they featured cupolas.
Modern period domes
The historicism of the 19th century led to many domes being re-translations of the great domes of the past, rather than further stylistic developments, especially in sacred architecture. New production techniques allowed for cast iron and wrought iron to be produced both in larger quantities and at relatively low prices during the Industrial Revolution. Russia, which had large supplies of iron, has some of the earliest examples of iron’s architectural use. Excluding those that simply imitated multi-shell masonry, metal framed domes such as the elliptical dome of Royal Albert Hall in London (57 to 67 meters in diameter) and the circular dome of the Halle au Blé in Paris may represent the century’s chief development of the simple domed form. Cast-iron domes were particularly popular in France.
The practice of building rotating domes for housing large telescopes was begun in the 19th century, with early examples using papier-mâché to minimize weight. Unique glass domes springing straight from ground level were used for hothouses and winter gardens. Elaborate covered shopping arcades included large glazed domes at their cross intersections. The large domes of the 19th century included exhibition buildings and functional structures such as gasometers and locomotive sheds. The “first fully triangulated framed dome” was built in Berlin in 1863 by Johann Wilhelm Schwedler and, by the start of the 20th century, similarly triangulated frame domes had become fairly common. Vladimir Shukhov was also an early pioneer of what would later be called gridshell structures and in 1897 he employed them in domed exhibit pavilions at the All-Russia Industrial and Art Exhibition.
Domes built with steel and concrete were able to achieve very large spans. In the late 19th and early 20th centuries, the Guastavino family, a father and son team who worked on the eastern seaboard of the United States, further developed the masonry dome, using tiles set flat against the surface of the curve and fast-setting Portland cement, which allowed mild steel bar to be used to counteract tension forces. The thin domical shell was further developed with the construction by Walther Bauersfeld of two planetarium domes in Jena, Germany in the early 1920s. They consisting of a triangulated frame of light steel bars and mesh covered by a thin layer of concrete. These are generally taken to be the first modern architectural thin shells. These are also considered the first geodesic domes. Geodesic domes have been used for radar enclosures, greenhouses, housing, and weather stations. Architectural shells had their heyday in the 1950s and 1960s, peaking in popularity shortly before the widespread adoption of computers and the finite element method of structural analysis.
The first permanent air supported membrane domes were the radar domes designed and built by Walter Bird after World War II. Their low cost eventually led to the development of permanent versions using teflon-coated fiberglass and by 1985 the majority of the domed stadiums around the world used this system. Tensegrity domes, patented by Buckminster Fuller in 1962, are membrane structures consisting of radial trusses made from steel cables under tension with vertical steel pipes spreading the cables into the truss form. They have been made circular, elliptical, and other shapes to cover stadiums from Korea to Florida. Tension membrane design has depended upon computers, and the increasing availability of powerful computers resulted in many developments being made in the last three decades of the 20th century. The higher expense of rigid large span domes made them relatively rare, although rigidly moving panels is the most popular system for sports stadiums with retractable roofing.
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