Guangling tide exhibition for the general history of the exhibition, highlighting the theme, creative design, information dissemination clear, accurate display language, spatial processing rich and logical and logical, for the Chinese local museum to explore a basic display of a new style of thinking.
Located in Yangzhou, east of the Jianghuai Plain, it is the hub of the ancient North-South water and land transportation and the city where the east-west logistics are distributed. The story of Yangzhou City, such as the surge of Guangling tide, climax after another, endless, both through the “song boil sky” prosperous, but also suffered from “waste pool tree” grief. In the Spring and Autumn Period, King Wu built the city of Yangzhou and created the city history of Yangzhou. In the Han Dynasty, Guangling city was the center, developing a prosperous regional culture. Opening of the North-South Canal in the Sui and Tang dynasties made it the most developed international city in China. On the occasion of the Song and Yuan Dynasties, Despite the war and environmental changes in Yangzhou, urban life still maintained a good vitality; the Ming and Qing Dynasties, with the smooth flow of salt water and prosperity, here there once again dazzling blossoming. Yangzhou, which integrates North and South cultures, has formed a unique cultural character and way of life. It also influences vast areas of ancient China with enormous cultural influence and is called “the proud place of the Chinese nation.”
The exhibition hall is divided into five parts: “Hegemony Central Plains” built Tancheng, “Zhuhai sea money” town Guangling, “Yang Yi Yi two” downtown, “flames Yangzhou” crown Huai left, “rich in the world,” then Yangzhou. Through the vicissitudes and development of Gaocheng, Guangling, Wuwangducheng, Tangcheng, Songcheng and Ming and Qing dynasties, it reflects the rich rhythms of the history of Yangzhou city and sketches the main line of historical development of Yangzhou and also changes the general trend of history in China miniature.
Jade dragon jade Juan, Spring and Autumn Period
Hanjiang Wuquan Jun Zhuang unearthed in 1981. This Juan is a single-sided film carving, front cut carved back to the two dragons, the middle of the groove to split, around the ridge, Longkou Wei Zhang, the tongue roll for the opening of the perforation. Dragon body bas-relief moire, full pattern. The use of fine lines between the moire fine Yin Xian Zhuo hook moire, geometric patterns for the attachment. Bottom surface is not polished.
Dragon pattern jade, Warring States Period
In 1991 jiangjiang Ganquan bodimun Western Han tombs unearthed. Jade on the map: double-sided piece of carved, shaped like a pupae. Its head up and down the spine, with oblique knife to ground relief embossed look back faucet, dragons, eyebrows and mane slender. Dragons decorated with streaky lines, the front end decorated with a group of double hook engraved triangular fold lines, I decorated a group of the size of the dragon along the first pattern, locally for oblique knife to deal with. Jade 下 below: Double-sided film carving. Its head up and down the spine, with oblique knife to ground relief embossing look back the leader, dragons, eyebrows and mane slender; dragon body to streaky trim, the front end decorated with a group of double hook engraved triangular fold lines, I decorated the different sides of the hole in the small side decorated with a group of the size of the dragon along the first pattern, but in the hole side is only decorated with a body of the dragon, all for partial oblique knife to deal with. The peculiarities of this device lie in that its tail end is flush with a hole drilled in the lower corner, which corresponds to the hole drilled in the middle of the front end.
Dragon pattern copper, Warring States Period
In 1991 jiangjiang Ganquan bodimun Western Han tombs unearthed. Although this 盉 unearthed in the Western Han Dynasty tomb, but its flat lips, short neck, wide shoulders, oblate abdominal shape, as well as the body pattern of three rings Pan Pei pattern features, all revealed a strong flavor of the Warring States Period bronze. In particular, the bird’s beak mouth slightly phoenix bird short, realistic means very strong, and the popular during the Western Han Dynasty can be freely open and close bird beak beak practice is very different, but with the Western Zhou Dynasty to the Spring and Autumn Period Warring States Bronze 盉 upper stream mouth The same size and style of the same fixed, but also proved its true identity of the times.
Bronze Sword, Warring States Period
In 1957 transferred by the Jiangsu Provincial Cultural Relics Management Committee. The sword body is long and slender, the sword ridge is straight, the front blade is slightly closed, the blade is sharp, the sword lattice is concave, the sword stem is round, the grid has two round hoops between them. Side of the rules of a gold-plated belt, so far still glittering, eye-catching. The copper sword to understand our ancient bronze sword casting, gold plating process has an important value.
Yangzhou is a general history of the city. The princes, who were seceded here during the Han dynasties, exploited the local superior geographical conditions to develop their economy, bringing Yangzhou the first great prosperity in history. In the Sui and Tang dynasties, the opening of the Grand Canal once again provided an opportunity for the development of Yangzhou. With the unprecedented prosperity of the Tang Dynasty, Yangzhou also became an important port of transportation for important materials such as grain, salt and iron, and an important port for transportation at home and abroad. Actually, Has become the country’s economic and cultural center, attracted many literati solicitors come for Yangzhou left a brilliant page. Ming and Qing Dynasties, the bud of capitalism Yangzhou economy has been rapid development, Kangxi and Qianlong repeatedly “patrolled”, but also to Yangzhou unprecedented prosperity. The past of Yangzhou is another sad history. The struggle of the ruling class has left the people of this region under the scourge of war and has become “a Chinese city” many times.
“Luxury Falls, see the real sun,” the cloud of history has long been dispersed, the Millennium Heritage speechless to tell the past, the prosperous and heroic. Yangzhou history, has accumulated profound historical and cultural heritage, but also left a large number of valuable historical evidence for her offspring. Yangzhou Museum relies on unique favorable conditions for sustainable development. From the Neolithic cultural relics to the metal wares, ceramic jade wares, celebrity calligraphy and painting, and all kinds of carved works of art since the Spring and Autumn Period and the Warring States Period, most modern masterpieces have been collected. In particular, the ancient engraving printing, Yangzhou still retains a large number of precious ancient plates and engraving printing traditional skills, has become a world cultural heritage.
The Yangzhou Museum is located on the west side of Mingyue Lake, Xingcheng District, Yangzhou with a total area of 36,216 square feet. Together with the Yangzhou Library and Yangzhou Concert Hall, the Yangzhou Art Center forms a unique architectural style that reflects the harmony between man and nature, the structure and the natural environment of Yangzhou The Museum was established in 1951 for more than 60 years. The staff made joint efforts and made outstanding achievements in the acquisition, preservation, research, exhibition and cultural exchanges of other institutes. As the art of ancient Chinese museums, the Museum of Yangzhou has a collection of 30,000 precious works of art, Yangzhou is the largest collection, research and leisure center, Yangzhou is also a youth patriotism education base, completed in October 2005, the new building has five permanent exhibition Guangling tide – the story of the ancient city of Yangzhou Eight Eccentric Artists Painting and Calligraphy Hall, Painting and Calligraphy Hall, National Treasure Hall, Ancient Art Carving Hall and Temporary Exhibition Hall In August 2003, the China National Printing Museum was established in the State Council to approve the blockade of 300,000 rare ancient books as its main collection with the goal of collecting and protecting it. It is in the research and dissemination of ancient printing culture The museum has two exhibition hall: China and India Museum, Yangzhou block printing museum
Yangzhou Shuangbo Pavilion positioned as Yangzhou Yangzhou Museum’s largest collection of cultural relics centers, academic centers for the arts, cultural and leisure centers for citizens, teenagers and cultural patriotism education base. Museum is to protect, collect, display cultural relics institutions, the use of cultural relics to convey to people all kinds of historical information, is not for profit for the purpose of the unit. Yangzhou Double Bo Museum has become a symbol of Yangzhou cultural construction, a showcase of Yangzhou traditional culture and modern civilization, one of the most important window.