Gothic Palace, Royal Alcazar of Seville

Alfonso X ruled from 1252 to 1284 In the 13th century, Gothic was a common architectural style in Spain. King Alfonso built his Gothic palace next to the patio of the Cruise.

The first news of works in the period of King Alfonso date from March 22, 1254, when he ordered a duct to be made to carry water from the Caños de Carmona aqueduct to the interior of the Alcázar.

The Gothic palace of the Alcázar was renovated by Carlos I, although the Gothic structure on the ground floor was preserved. The baseboards of the walls are decorated with tiles made by Christopher Augustus between 1577 and 1578, during the reign of Felipe II.

Chapel
Probably, here was the chapel of San Clemente, created in 1271. Today it is presided over by an altarpiece of the Virgen de la Antigua, made in the 18th century by Diego de Castillejo and containing an anonymous copy of the one existing in the cathedral of Seville.

Great Hall
The Great Hall, also known as the Vaults room or Party room, has four twills commissioned by Alfonso XIII to the painter Gustavo Bacarisas for the Royal pavilion of the Ibero – American Exposition of 1929. The twill paintings are related to the Columbian navigation.

Next to it is a smaller room, known as the Cantarera room, which since 2015 has been used for temporary exhibitions.

Tapestry Hall
It was totally rebuilt in the 18th century. The façade of this room is the southern façade of the Crucero patio.

It is decorated with six tapestries from the conquest of Tunis by Charles I, made in the 1730s. In the 16th century, a series of Flemish tapestries were made in Willem de Pannemaker’s workshop on the conquest of Tunis by Charles I with drawn cardboard. by Jan Cornelisz Vermeyen (who had been present at that event as a Court painter) and Pieter Coecke van Aelst. In the 18th century, Zenón de Somodevilla y Bengoechea, Marquis of La Ensenada, planned the creation of new tapestries to avoid wear and tear caused by the continued use of Flemish tapestries in the Madrid palace. In 1732 the Royal Tapestry Factory commissionedJacobo Vandergoten the Younger making these tapestries. He carried out this work with the supervision of Andrea Procaccini and his disciple Domenico Maria Sani. They were made with traces of Jaime Alemán, who was supervised by Procaccini. Of the 10 tapestries produced in the 1730s, six are in this room in the Alcázar of Seville and the other four are in Madrid. Those found in the Alcázar of Seville are: The map, Toma de La Goleta, Toma de Tunis, The army camped in Rada and La Goleta re-boarding.

Royal Alcazar of Seville
The Real Alcázar of Seville is a walled palatial complex built in different historical stages. Although the original palace was built in the High Middle Ages, some vestiges of Islamic art are preserved and, from the period after the Castilian conquest, a Mudejar palatial space and another in the Gothic style. In later reforms, Renaissance, Mannerist and Baroque elements were added.

The Alcázar of Seville is a royal palace in Seville, Spain, originally developed by Moorish Muslim kings. The palace is renowned as one of the most beautiful in Spain, being regarded as one of the most outstanding examples of Mudéjar architecture found on the Iberian Peninsula. The upper levels of the Alcázar are still used by the royal family as the official Seville residence and are administered by the Patrimonio Nacional.

It is the oldest royal palace still in use in Europe, and was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Seville Cathedral and the General Archive of the Indies.