Sichuan Museum has collected since the 1950s, Xinfanshui Guanyin, Baxian Dongsunba, Zhaohua Baolunyuan, Pengzhou Zhuwa Street, Chengdu Yangzishan, Chengdu Baihuatan, Chongqing Fuling Xiaotianxi, Xindu Majiaxiang A large number of exquisite bronzes unearthed from a series of major archaeological discoveries such as Guanghan Sanxingdui, Chengdu Jinsha and Maoxian and Xuanhan counties.

The most characteristic and most common development of the Bayu bronzes is the variety of bronze sharps, including weapons and tools. In addition, there are many special inscriptions on the Bronze bronzes, and the symbols of the shape of the palm, the flower, the tiger, the bird, etc. are cast. There are also some bronzes in the Bayu area that are similar in style to the neighboring vassal countries. For example, the ceremonial shape and ornamentation of the Xindu Jiuliandun Tomb are similar to those of the Chu.

The alloy of red copper and tin or lead is called bronze. As an important part of Chinese bronze culture, around 1600 BC, the Bab bronze ware gradually formed its own unique bronze culture in the exchange with the Xia, Shang and Zhou bronze culture. The Chinese classical literature is full of enthusiasm, but the records about the history of the Bashu are like morning stars. Therefore, the history of Cuba’s hustle and bustle is confusing and there are many different opinions. Since the 1950s, Xinfanshui Guanyin, Baxian Dongsunba, Zhaohua Baolunyuan, Pengzhou Zhuwa Street, Chengdu Yangzishan, Chengdu Baihuatan, Chongqing Fuling Xiaotianxi, Xindu Majiaxiang, Guanghan Sanxingdui, A large number of exquisite bronze wares were unearthed from a series of major archaeological discoveries such as Jinsha in Chengdu and Maoxian and Xuanhan counties. In addition, neighboring provinces such as Hanzhong, Baoji, and Yichang, Hubei, which are adjacent to Sichuan, have also discovered bronze wares with the characteristics of Bayu culture, which provide extremely valuable material information for the study of Bayu culture. It is proved that in the vast Sichuan Basin, about three or four thousand years ago, the monks created a highly civilized ancient country, and later together with the Ba people created a splendid bronze culture of the Bab, representing the highest achievements of the ancient civilization of the Bayu.

When we stand in front of the precious legacy left by the Bayu ancestors, we must not sigh that the ancestors are creating their own culture, while not forgetting the mind and wisdom of the essence of Shang and Zhou culture; we must not admire the ancestors who are creating wealth. At the same time as the material world, it also created a glory in the world of romantic bronze art.

Shown here is only a part of the bronze wares of the Sichuan Museum. Its mystery and peculiarity will tell you the glory of the past.

Sichuan Museum
The Sichuan Museum was founded in 1941 and has a history of more than 70 years. There are more than 320,000 pieces of cultural relics in the museum, including more than 50,000 pieces of precious cultural relics. In 2009, the new museum of Sichuan Museum was completed. Covering an area of ​​more than 88 acres, the new museum is located in the Huanhuaxi Historical and Cultural Scenic Area in Chengdu. It is the largest comprehensive museum in the Southwest and plays an important role in the national public museum.

The Sichuan Museum currently has 14 exhibition halls with a total area of ​​12,000 square meters, including 10 permanent exhibitions including calligraphy and painting, ceramics, bronzes, ethnic cultural relics, arts and crafts, Tibetan Buddhism, Wanfo Temple stone carvings, Zhang Daqian calligraphy and paintings, and Han Dynasty pottery art. 4 temporary exhibition halls for holding various temporary exhibitions. The new pavilion also has an academic lecture hall that can accommodate more than 200 people for various large-scale conferences and academic lectures.

The Sichuan Museum has more than 260,000 pieces of cultural relics in its collection, including more than 50,000 precious cultural relics. The Sichuan Museum has more than 30 full-time and part-time researchers. It has researched and published academic works such as the “Sichuan Museum’s “Gesar” Thangka Study”, “Sichuan Unearthed Buddhist Studies in the Southern Dynasties”, “Collection of Paintings and Calligraphy Collections”. In 2011, the “Sichuan Museum’s Rehabilitation Capacity Improvement” project was established by the State Administration of Cultural Heritage as one of the two pilot projects in the country. In October 2012, it was rated as a national first-class museum.

In 2009, the new museum of Sichuan Museum was completed in Chengdu Huanhuaxi Historical and Cultural Scenic Area. The new hall covers an area of ​​more than 88 acres, with an investment of more than 300 million yuan, a total area of ​​12,000 square meters, the main building is 32026 square meters, the scale is four times the original museum, the number of exhibition halls is 14 and the exhibition hall area is about 12635 square meters, including There are 10 permanent exhibitions such as calligraphy and painting, ceramics, bronzes, ethnic relics, arts and crafts, Tibetan Buddhism, Wanfo Temple stone carvings, Zhang Daqian calligraphy and painting, Han Dynasty ceramic stone art, and 4 temporary exhibition halls for various temporary exhibitions. The new pavilion also has an academic lecture hall that can accommodate more than 200 people for various large-scale conferences and academic lectures.

The main building adopts the traditional Chinese architectural elements of “door, church, gallery” to form a spatial sequence. The main building organizes various functions around the “T” shaped atrium. The underground floor is the garage and equipment room, and the bottom floor is the cultural relics warehouse and repair room. The second floor is the exhibition area, which is directly accessed from the outdoor large platform. The exhibition is divided into three floors. The first floor is the Sichuan Han Dynasty ceramic stone art exhibition and the multi-function hall conference reception room; the second floor is the Bayu bronze exhibition hall, ceramic boutique exhibition hall, calligraphy and painting hall, Zhang Daqian works exhibition; the third floor is Tibetan Buddhist Relics Museum, Wanfo Temple Stone Carving Hall, Sichuan National Cultural Relics Exhibition, Arts and Crafts Museum, Centennial Sichuan Pavilion.

The west side of the main building is an office area with a training center, scientific research office and information center. The southeast side is connected to the main building with an empty commercial corridor, with shops and tea shops.