James Abbott McNeill Whistler Peacock Room Panorama without Ceramics

Peacock Room Panorama without Ceramics
James McNeill Whistler

A panoramic image of the Peacock Room emptied of ceramics.
Title: Peacock Room Panorama without Ceramics
Creator: James McNeill Whistler
From the collection of
Freer and Sackler Galleries

James Abbott McNeill Whistler
Jul 11, 1834 – Jul 17, 1903

James Abbott McNeill Whistler was an American-born, British-based artist active during the American Gilded Age. He was averse to sentimentality and moral allusion in painting, and was a leading proponent of the credo “art for art’s sake”. His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail. The symbol was apt, for it combined both aspects of his personality—his art was characterized by a subtle delicacy, while his public persona was combative. Finding a parallel between painting and music, Whistler entitled many of his paintings “arrangements”, “harmonies”, and “nocturnes”, emphasizing the primacy of tonal harmony. His most famous painting is “Arrangement in Grey and Black No. 1”, commonly known as Whistler’s Mother, the revered and oft-parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers.